Target Audiences
CLASS
Working class, middle class and high class;
SEX
Females and males;
LOCATION
South London;
AGE
16-27;
RACE
Characters are from different backgrounds and races;
Showing posts with label Planning. Show all posts
Showing posts with label Planning. Show all posts
Tuesday, 10 May 2016
Thursday, 28 April 2016
Sunday, 17 April 2016
Storyboard for final cut
Long shot to reveal the workers. Puja goes to her handbag to get
her bottle of water.
Close up of her drinking water.
Shot.
Marketing our Film
How can we market our film?
To market our Film, we can market it in different ways, so we will be able to gain more viewers and audiences through this.
1) Facebook
Facebook is one of the most popular social media, which is very good for marketing and advertising our movie. This sis because there are 890 million people creating and signing into Facebook, which most of the people use Facebook daily.
2) Twitter
3) Instagram
The third popular social media, which is useful for marketing is Instagram. This can be a good way too, this is because by uploading pictures, with different type of effects you can attract more audiences.
4) Snapchat
The last social media which I'm going to talk about is Snapchat. Snapchat is thelatest social media, which not mostly used by many people around the world. This because it's a lot simpler, than the other social media to use; you can share to everyone, by taking pictures, drawing, writing, emojis, by calling, video calls and also, by recording your voice.
Friday, 15 April 2016
Sunday, 10 April 2016
Shooting Script
Police MYSTERIES.
Justice or Revenge
Justice or Revenge
Ext: OUTSIDE-ON A STRAIGHT ROAD-NIGHT
Establishing shot is used to reveal the front of a black car driving at a fairly constant speed at around the speed limit of 40-50 kph. The camera zooms into the car's front screen and a mid-shot is used to show a mysterious white driver in a tuxedo. However, the driver's face is not seen. Only from his torso to his mouth is shown.(To emphasise the mystery).
cut
Chelsea
Ext: OUTSIDE- in front of a large house -night
(Mid-shot is used to reveal that Chelsea is on her phone leaving a VOICE MAIL on her friend's phone.
(Mid shot)(Angrily) Where are you guys! The business party finished an hour ago and its freezing. (Extreme close up of the phone to show her hanging up)She hangs up the phone. (Long shot of chealsea) She sits on the wall and shivers annoyed and impatiently. One minute later.
She receives a text (Extreme close up on phone's text message) showing that they can't make it and the limousine drivers are on holiday. It also says she has to call a cab and and that they'll make it up to her the next time they see her.
CHELSEA
(Mid-Shot of Chelsea) (She whispers to herself) Looks like I'm going to have to do everything for myself again.
(Extreme close up on Chelsea's phone) She closes off the message and searches through her contact list. She speed dials a cab. (Mid-shot of Chelsea) She puts the phone to her ears. It rings for 5 seconds.
(The cab company is heard over the speaker phone) Hello. Richie's cab company speaking.
CHELSEA
CAB COMPANY
Cab company
Can I have your postcode please.
CHELSEA
( Mid-shot of Chelsea on the phone) It is TA0 7PQ.
CAB COMPANY
Okay. We will be there in approximately ten minutes.
2 minutes later
(Long shot of the car driving past) A black car drives up in front of Chelsea. (Close up of the driver's window)The window slowly winds down and one of Chelsea's family friends (Michael) is revealed. The camera from his mouth reveals the rest of his face.
Michael
(Medium-close up on Michael) (Acts assuring) Hey Chelsea! How are you? what you doing out here all by yourself? Where are your bodyguards and your limousine drivers?
CHELSEA
(Mid-shot on Chelsea) (thinks to herself) (Inquisitive much?)
(Speaks aloud) I'm here alone. My parents couldn't make it today and the staff are needed else where. After all, I am smart enough to make sensible and rewarding business choices for my parents' stock company.(Gloats) I am also the life of the party because I'm the youngest. (chuckles)
Why weren't you at the party?
MICHAEL
(Medium-close up on Michael) Oh! Me? I had to makes sure some things are ready and in place for my job tonight.
(Trying to change the subject) How are you going to get home?
CHELSEA
(Mid-shot on Chelsea) I called a cab. They will be here any minute now.
MICHAEL
(Medium-close up on Michael) Let me give you a lift home, it will be no problem. Think of it as a thank you present for your parents for making me be apart of their company and sharing the experience of being wealthy.
CHELSEA
(Mid-shot on Chelsea) No thank you. The cab is almost here. I wouldn't want to waste their time. I couldn't possibly...
Michael rolls his eyes and interrupts her.
MICHAEL
(Medium-close up on Michael) Don't be silly, cancel that cab of yours and I'll drop you 'off' free of charge. What do you say?
CHELSEA
(Mid-shot on Chelsea) Ummm. I don't think so.
MICHAEL
(Medium-close up on Michael) Come on!
CHELSEA
(Mid-shot on Chelsea) No seriously,I'm fine thank you.
MICHAEL
(Medium-close up on Michael) I insist letting you waste money when you can have a free ride home. I won't bite. (He reassures her with a smile) I promise. You have my word.
CHELSEA
(Mid-shot on Chelsea) Okay.It couldn't hurt to get a free ride once in a while from my parents' colleague.
MICHAEL
(Medium-close up on Michael) Chelsea, just get in the car.
CHELSEA
(Long shot at the back of Chelsea showing her getting in Michael's car) Okay. Okay. (Thinks to herself) I bet you are only looking for a raise by helping your boss' daughter
MICHAEL
(Close up on Michaels face) Colinas de Dinero right?
CHELSEA
(Medium close up on Chelsea) Right.
INT-Michael's car-night
Cut
Chelsea gets into the back of Michael's car, there is an opaque glass divider between the front seats and the back seats. (Close up on Michael's face) Michael slowly develops a smirk on his face without Chelsea's knowledge.
(Close up on child lock button) He closes the car doors with the child lock and (close up on Chelsea) Chelsea begins to feel suspiciously scared. (Close up on Michael) He turns around and smiles at Chelsea with a reassuring smile.
Michael
Safety first.
(Chelsea politely smiles) (Mid-shot on Michael) Michael starts the car and starts to make light conversation to kill the awkward tension/silence.
MICHAEL
(Mid-shot on Michael) Seat belt please.
CHELSEA
(Mid-shot on Chelsea) Okay.(She puts on her seatbelt)
MICHAEL
(Medium close up on Michael)Your parents talk about you a lot.
CHELSEA
(Mid-shot on Chelsea) Really? Okay.
MICHAEL
(Medium close up on Michael) Would you like to listen to music?
CHELSEA
(Mid-shot on Chelsea) Sure. what kind have you got?
MICHAEL
(Medium close up on Michael) Classical, soul, Spanish music, pop and the list goes on.
CHELSEA
(Mid-shot on Chelsea) I think I will choose classical.
MICHAEL
(Medium close up on Michael) Okay.Strange choice for a young girl like you.
CHELSEA
(Mid-shot on Chelsea) Well I have a unique choice of taste in music.
MICHAEL
(Close up of Michael)(He thinks to himself) yeah and it is called old woman syndrome.
(Chelsea listens to the music while Michael drives with occupied thoughts.)
CHELSEA
(Close up on Chelsea) It's just about five more houses down.
MICHAEL
(Medium close up on Michael) Thank you, I know.(he pauses for about 5 seconds)
Chelsea, do you trust me?
CHELSEA
(Medium close up of Chelsea) Pardon me?
MICHAEL
(Medium close up on Michael) Do you trust me?
CHELSEA
(close up on Chelsea) Um yes, I guess.
MICHAEL
(Medium close up on Michael) Well that is good enough for me.
(Michael speeds up the car and drives past Chelsea's home.)
CHELSEA
(Close up of Chelsea) Wait,wait! where are you going?
(Mid-shot of Michael) Michael presses a (Extreme close up on button) button which automatically winds up the (close up on divider) opaque divider between the front and back seats.
CHELSEA
(Close up of Chelsea) Michael, you passed my house, where are you taking me?
(Medium close up of Chelsea) Chelsea bangs on the glass while screaming.
CHELSEA
(Medium close up of Chelsea) LET ME OUT! LET ME OUT! WHERE ARE YOU TAKING ME?
(Michael speaks through the speaker.)
MICHAEL
(Medium close up on Michael) Chelsea I'm sorry to have to do this to you but if you and your parents cooperate correctly, you'll be free without any harm done to you or your friends.
CHELSEA
(Close up of Chelsea) What do you mean.
MICHAEL
(Medium close up on Michael) You didn't think that your friends were too busy for you, did you? Why did you think that they couldn't pick you up?
CHELSEA
(Medium close up of Chelsea) Oh my Gosh! I can't believe that you kidnapped my friends as well you incompetent nincompoop! Please let me go.(She starts to cry) what did I ever do to you?
MICHAEL
(Medium close up on Michael) Oh it's not you, it's your parents...
Cut
scene change-parents... two things happening at the same time...
Thursday, 24 March 2016
Treatment and Pitch
Justice or revenge
puja lavet a 20 year old women who belongs to a very reputed society and family works in a high class office. Because puja is a very hard-working person and loves to finish all the work on time she gets appreciated and complimented by the boss daily. Puja works with two other people in the office whose names are Olivia and Christine. she has very good relationship with Olivia and is friendly towards everyone.Olivia is a very talkative girl who interacts with everyone and is very close to Puja while in other hand Christine is a very mysterious person who does not interact with anyone and is always in her own world. one day boss had given promotion to puja for the hardwork she had done, and how she had made the office reputation go higher. the next day after her promotion someone had added poison to Pujas drink due to this she was dead. the detective is asking many questions to the workmates to know whether someone had done this to jealousy or is there some other reason behind this death.
Wednesday, 16 March 2016
Thursday, 18 February 2016
Wednesday, 10 February 2016
Final cut story board
Help! Help! Puja! Puja!
Monday, 1 February 2016
Pitch
Plan for script
Plan
Pitch:
A young teenager in high in status gets kidnapped. This person is a woman because it is conventional. The kidnapper has left some clues which is easy to the victims to find him out. Overall, this is an action and mystery mixed drama.
The reason of the kidnapper doing this, because the young teenager's father stole all the main stuff, such as money, houses, lands from the kidnapper, which now the kidnapper is trying t o get it back.
Thursday, 7 January 2016
Plan for script
Plan
Pitch:
An important person who is either rich or high in status gets kidnapped. This person is a woman because it is conventional. She is still alive at the moment.The killer has left clues to which victims that are targeted next in his/her “list”. It is up to the police to hunt him/her down and stop him/her in his/her tracks! This is an action packed thriller/ crime drama.
Characters:
Criminal: Man. White European (maybe Russian). (Tall. maybe 6ft) Strong. Well educated.
Links between victims:
He was once rich. He saw how horribly his acquaintances treated the lower class. They believed that they were untouchable and invincible and that they could get away with any crime just because they had an unlimited stock of money to be used as a bribe (in other words hush money). He detested this action and the sight of their endeavours.
Tuesday, 5 January 2016
Script - draft
Police MYSTERIES.
Ext: OUTSIDE-ON A STRAIGHT ROAD-NIGHT
Establishing shot is used to reveal the front of a black car driving at a fairly constant speed at around the speed limit of 40-50 kph. The camera zooms into the car's front screen and a mid-shot is used to show a mysterious white driver in a tuxedo. However, the driver's face is not seen. Only from his torso to his mouth is shown.(To emphasise the mystery).
cut
Chelsea
Ext: OUTSIDE- in front of a large house -night
(Mid-shot is used to reveal that Chelsea is on her phone leaving a VOICE MAIL on her friend's phone.
(Angrily) Where are you guys! The business party finished an hour ago and its freezing. She hangs up the phone. She sits on the wall and shivers annoyed and impatiently. One minute later.
She receives a text showing that they can't make it and the limousine drivers are on holiday. It also says she has to call a cab and and that they'll make it up to her the next time they see her.
CHELSEA
(She whispers to herself) Looks like I'm going to have to do everything for myself again.
She closes off the message and searches through her contact list. She speed dials a cab. It rings for 5 seconds.
CAB COMPANY
(The cab company is heard over the speaker phone) Hello. Richie's cab company speaking.
CHELSEA
Hello can I have a a cab to colinas de dinero from 100 Brown's Road please?
Cab company
Can I have your postcode please.
CHELSEA
It is TA0 7PQ.
CAB COMPANY
Okay. We will be there in approximately ten minutes.
2 minutes later
A black car drives up in front of Chelsea. The window slowly winds down and one of Chelsea's family friends (Michael) is revealed. The camera from his mouth reveals the rest of his face.
Michael
(Acts assuring) Hey Chelsea! How are you? what you doing out here all by yourself? Where are your bodyguards and your limousine drivers?
CHELSEA
(thinks to herself) (Inquisitive much?)
(Speaks aloud) I'm here alone. My parents couldn't make it today and the staff are needed else where. After all, I am smart enough to make sensible and rewarding business choices for my parents' stock company.(Gloats) I am also the life of the party because I'm the youngest. (chuckles)
Why weren't you at the party?
MICHAEL
Oh! Me? I had to makes sure some things are ready and in place for my job tonight.
(Trying to change the subject) How are you going to get home?
CHELSEA
I called a cab. They will be here any minute now.
MICHAEL
Let me give you a lift home, it will be no problem. Think of it as a thank you present for your parents for making me be apart of their company and sharing the experience of being wealthy.
CHELSEA
No thank you. The cab is almost here. I wouldn't want to waste their time. I couldn't possibly...
Michael rolls his eyes and interrupts her.
MICHAEL
Don't be silly, cancel that cab of yours and I'll drop you 'off' free of charge. What do you say?
CHELSEA
Ummm. I don't think so.
MICHAEL
Come on!
CHELSEA
No seriously,I'm fine thank you.
MICHAEL
I insist letting you waste money when you can have a free ride home. I won't bite. (He reassures her with a smile) I promise. You have my word.
CHELSEA
Okay.It couldn't hurt to get a free ride once in a while from my parents' colleague.
MICHAEL
Chelsea, just get in the car.
CHELSEA
Okay. Okay. (Thinks to herself) I bet you are only looking for a raise by helping your boss' daughter
MICHAEL
Colinas de Dinero right?
CHELSEA
Right.
INT-Michael's car-night
Chelsea gets into the back of Michael's car, there is an opaque glass divider between the front seats and the back seats. Michael slowly develops a smirk on his face without Chelsea's knowledge.
He closes the car doors with the child lock and Chelsea begins to feel suspiciously scared. He turns around and smiles at Chelsea with a reassuring smile.
michael
Safety first.
Chelsea politely smiles. Michael starts the car and starts to make light conversation to kill the awkward tension/silence.
MICHAEL
Seat belt please.
CHELSEA
Okay.(She puts on her seatbelt)
MICHAEL
Your parents talk about you a lot.
CHELSEA
Really? Okay.
MICHAEL
Would you like to listen to music?
CHELSEA
Sure. what kind have you got?
MICHAEL
Classical, soul, Spanish music, pop and the list goes on.
CHELSEA
I think I will choose classical.
MICHAEL
Okay.Strange choice for a young girl like you.
CHELSEA
Well I have a unique choice of taste in music.
MICHAEL
(He thinks to himself) yeah and it is called old woman syndrome.
Chelsea listens to the music while Michael drives with occupied thoughts.
CHELSEA
It's just about five more houses down.
MICHAEL
Thank you, I know.(he pauses for about 5 seconds)
Chelsea, do you trust me?
CHELSEA
Pardon me?
MICHAEL
Do you trust me?
CHELSEA
Um yes, I guess.
MICHAEL
Well that is good enough for me.
Michael speeds up the car and drives past Chelsea's home.
CHELSEA
Wait,wait! where are you going?
Michael presses a button which automatically winds up the opaque divider between the front and back seats.
CHELSEA
Michael, you passed my house, where are you taking me?
Chelsea bangs on the glass while screaming.
CHELSEA
LET ME OUT! LET ME OUT! WHERE ARE YOU TAKING ME?
Michael speaks through the speaker.
MICHAEL
Chelsea I'm sorry to have to do this to you but if you and your parents cooperate correctly, you'll be free without any harm done to you or your friends.
CHELSEA
What do you mean.
MICHAEL
You didn't think that your friends were too busy for you, did you? Why did you think that they couldn't pick you up?
CHELSEA
Oh my Gosh! I can't believe that you kidnapped my friends as well you incompetent nincompoop! Please let me go.(She starts to cry) what did I ever do to you?
MICHAEL
Oh it's not you, it's your parents...
Cut
scene change-parents... two things happening at the same time.
Monday, 14 December 2015
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